Deutsch
Feigl-Zellner, Margarete Johanna
Felgel von Farnholz, Oskar
Fellin, Benedetto
Fieglhuber-Gutscher, Marianne
Fischer, Johannes
Fleischmann, Trude
Floch, Josef
Frey, Max
Freyer, Pierre
Frieberger-Brunner, Marie Vera
Fried, Theodor
Friedländer, Friedrich
Friedrich, Ernst
Frohner, Adolf
Fränkel, Karl
Fuchs, Ernst
Fuhrken, Fritz
Funke, Helene
Földes, Imre
Gaertner, Eduard
Gassler, Josef
Geiger, Willi
Geiseler, Hermann
Gergely, Tibor
Gerliczy, Emil von
Gerstenbrand, Alfred
Gerster, Otto Helmut
Giessen, Jan Theodorus
Glück, Anselm
Gratama, Lina
Grewenig, Fritz
Grom-Rottmayer, Hermann
Grossmann, Karl
Grossmann, Rudolf
Grosz, George
Grünseis-Frank, Erna
Gröger, Kurt
Gunsam, Karl Josef
Gurschner, Herbert
Gütersloh, Albert Paris
Hacker, Maria
Hafner, Rudolf
Hagel, Alfred
Hammerstiel, Robert
Hanak, Anton
Harsch, Andreas
Harta, Felix Albrecht
Hassmann, Carl Ludwig
Hauk, Karl
Hauptmann, Josef
Hauser, Carry
Hausner, Rudolf
Heidel, Alois
Helnwein, Gottfried
Herbert Bayer, zugeschrieben
Hertlein, Willi
Hess, Bruno
Hessing, Gustav
Heu, Josef
Heuberger, Helmut
Heubner, Friedrich Leonhard
Hilker, Reinhard
Hiller-Foell, Maria
Hlawa, Stephan
Hoffmann, Josef
Hofmann, Egon
Hofmann, Otto
Hohlt, Otto
Hoke, Giselbert
Hollenstein, Stephanie
Hrdlicka, Alfred
Huber, Ernst
Hutter, Wolfgang
Hänisch, Alois
Höllwarth, Ines
Hölzer-Weineck, Irene
Jaeger, Frederick
Jaenisch, Hans
Jaindl, Othmar
Janda, Hermine von
Janesch, Albert
Jansen, Willem
Janssen, Horst
Jaruska, Wilhelm
Jean Cocteau, zugeschrieben
Edmond Henri Zeiger de Baugy was also known as Edmond Henry Zeiger of Baugy. Zeiger later changed his name to Zeiger-Viallet by adding his wife's name. He was a painter, designer and architect who had a personal preference for oil painting in a classical style. His grandfather, Célestin Zeiger-Hugonnet, was friends with Gustave Courbet. In Zeiger's later years, however, his work changed fundamentally through a chance friendship with the much younger artist colleague Jean-Michel Folon. The prolific and frequently commissioned artist was in great demand during his lifetime. He was never forced to compromise by mass-producing works solely for public sale. Edmond Henry Zeiger von Baugy studied art, architecture and literature at the Académie de Vevey and the École des Beaux-arts in Geneva. Eventually, he decided to devote himself exclusively to painting. In 1919-1920, he worked and exhibited in Rome and in 1921 in Paris. He was the most important collaborator of Emmanuel Bénézit and his wife in producing the first edition of the Bénézit Artists' Lexicon, the definitive reference work for the art world. Among his other publications is an important scientific study on the origins of pure landscape painting in France.
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