Deutsch
Feigl-Zellner, Margarete Johanna
Felgel von Farnholz, Oskar
Fellin, Benedetto
Fieglhuber-Gutscher, Marianne
Fischer, Johannes
Fleischmann, Trude
Floch, Josef
Frey, Max
Freyer, Pierre
Frieberger-Brunner, Marie Vera
Fried, Theodor
Friedländer, Friedrich
Friedrich, Ernst
Frohner, Adolf
Fränkel, Karl
Fuchs, Ernst
Fuhrken, Fritz
Funke, Helene
Földes, Imre
Gaertner, Eduard
Gassler, Josef
Geiger, Willi
Geiseler, Hermann
Gergely, Tibor
Gerliczy, Emil von
Gerstenbrand, Alfred
Gerster, Otto Helmut
Giessen, Jan Theodorus
Glück, Anselm
Gratama, Lina
Grewenig, Fritz
Grom-Rottmayer, Hermann
Grossmann, Karl
Grossmann, Rudolf
Grosz, George
Grünseis-Frank, Erna
Gröger, Kurt
Gunsam, Karl Josef
Gurschner, Herbert
Gütersloh, Albert Paris
Hacker, Maria
Hafner, Rudolf
Hagel, Alfred
Hammerstiel, Robert
Hanak, Anton
Harsch, Andreas
Harta, Felix Albrecht
Hassmann, Carl Ludwig
Hauk, Karl
Hauptmann, Josef
Hauser, Carry
Hausner, Rudolf
Heidel, Alois
Helnwein, Gottfried
Herbert Bayer, zugeschrieben
Hertlein, Willi
Hess, Bruno
Hessing, Gustav
Heu, Josef
Heuberger, Helmut
Heubner, Friedrich Leonhard
Hilker, Reinhard
Hiller-Foell, Maria
Hlawa, Stephan
Hoffmann, Josef
Hofmann, Egon
Hofmann, Otto
Hohlt, Otto
Hoke, Giselbert
Hollenstein, Stephanie
Hrdlicka, Alfred
Huber, Ernst
Hutter, Wolfgang
Hänisch, Alois
Höllwarth, Ines
Hölzer-Weineck, Irene
Jaeger, Frederick
Jaenisch, Hans
Jaindl, Othmar
Janda, Hermine von
Janesch, Albert
Jansen, Willem
Janssen, Horst
Jaruska, Wilhelm
Jean Cocteau, zugeschrieben
Fuhrken was already involved in the youth movement and the Wandervogel as a teenager and illustrated the logbook with pen drawings. His first graphic works were still entirely indebted to Art Nouveau. During the First World War he served as a volunteer on the Russian front and as a regimental draftsman. He became a prisoner of war in England, where he came into contact with expressionist ideas, especially those of “Blauer Reiter,” through the imprisoned Otto Nebel and Karl Tangerding. After his release in 1919, Fuhrken took up his first teaching position at a primary school in Bremen, became a member of the Bremen Artists' Association, the Northwest German Artists' Association and the artist group “Neuwerker” around Willy Menz. In 1921 he founded the artist group “Der Fels” together with his former campmates Franz Bronstert and Georg Philipp Wörlen. In 1922 Reinhard Hilker and Carry Hauser were accepted as members. Fuhrken visited Alfred Kubin and was fascinated by his mysterious, dark works. In 1924 he moved to Bremen. He also maintained a lifelong friendship with Otto Modersohn and Fritz Stuckenberg. Between 1925 and 1927 Fuhrken studied at the art academy in Kassel. In 1939 Fuhrken was called up and deployed to Russia and France. He suffered from the horrific war experiences in Stalingrad and took his own life near Hesdin in northern France in 1943.


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